After I
reviewed Til Det Bergens Skyggene's self-titled album, the artist contacted me,
and very kindly sent me his three currently unreleased cassettes Renhet I, II,
and Vandringen I (Skoglandskap). The
former two tapes are quite good, very original and experimental, however the
latter tape, the artist's most recent, is something else entirely. The moment I started listening I knew I was
in for a glorious journey, and so has it been every time since. I would've reviewed this fantastic,
nostalgic, pure symphony of dreamland much sooner, although I was hoping to do
so once it was released, to hopefully get it more sales and listeners. The artist told me, however, that due to some
technical difficulties in dubbing the tapes, it would likely be a while until
they were released, and whether or not readers of this blog have access to it
at the moment, I still feel it absolutely needs some words to be said about it.
If the
self-titled cassette of Til Det Bergens Skyggene had any problems, they are
absolutely addressed and surpassed here.
The music never seems to fall into heavy repetition, and yet the
craftsmanship is evident, that so much thought went into every riff. In fact, this short cassette even transcends
some of the best dungeon synth in that it has managed to create a tone and
atmosphere that is distant and relaxed enough to allow the listener's mind to
wander, exploring the visual landscape that grows out of the atmosphere of the
music, an important trait that all good dungeon synth should have; but then
what makes these songs so wonderful is that they are also complex and active
enough that close focus upon the music itself is moving and enjoyable,
something which most dungeon synth fails to achieve. Somehow Vranevorn has managed to achieve the
contemplative serenity which distinguishes the genre without resorting to
excessive repetition or simplicity.
The
sound of the synths themselves could not be more perfect. It is clear that the artist has a love for
the sounds of such instruments, the deep, strange, otherworldly quality that
can transport a listener to undiscovered vistas. I wouldn't just recommend this tape to
listeners of dungeon synth, I would also highly recommend it to people who love
synthesizers in general. Of course I
mean vintage synths, from the eighties and nineties, but I'm not sure people
who dislike such sounds could even be called "synth lovers." This short span of slightly less than a
half-hour of music is a feast of the mysterious warbling, shimmering, groaning,
and crystalline sounds of these electronic gateways to the mystical realms. One could look at the synthesizer as a mere
machine, or as a mere instrument, depending primarily on the craftsmanship of
the maker or the skill of the musician, however that is not how I see it, and I
believe that is also not how Vranevorn sees it.
To me, I think the synthesizer is a doorway into an unknown and alien
landscape, discovered rather than
created, like the monolith discovered by the apes in 2001: A Space Odyssey. Too many people have failed to recognize what
can be seen through the blurry window of these "vintage" instruments,
moving on to the "new" sounds.
Artists like Til Det Bergens Skyggene instead stick around and attempt
to clean that window, to give us a better view into that fantastic place, which
of course can only truly be described through music, making my task of putting
it into words quite difficult.
This
album makes you think, but it is also tremendously enjoyable to listen to. It is the kind of music that you would have
no problem listening to several times in a row.
And still, it's the kind of work that I highly doubt would ever get worn
down and forgotten (even though that is ironically part of the atmosphere, that
it feels like a faded, dusty tome in hidden corner of an attic of a deceased
great-grandparent). It is filled with
such great longing, such profound memories, such yearning nostalgia, that I
doubt anyone could not feel the bittersweet memories that never were, as
fleeting and powerful as one's imaginary memories in a dream.
I
apologize if my praise might seem a bit over-the-top, but even though I've
given this tape plenty of listens, I'm still somewhat caught off guard by it. To my ears it stands tall next to the greats
of the early nineties, Mortiis and Wongraven, and I was honestly not expecting
this genre to ever progress in such a way.
Though I don't believe the artist has too much influence from other
dungeon synth musicians, I think it is still quite clear that he is tapping
into the same vein, and coming in from that different angle has perhaps given
him an advantage, creating very original and magical sounds within this style. I must also apologize for whetting your
appetites, since I know very few readers will have any access to this work. I suggested to Vranevorn, if he could not
release it physically, that he might consider releasing it online, and he made
it quite clear to me that this was unacceptable, not only sticking to the old ways
of vintage synths but also the nostalgia physically tangible music. So, keep an eye out for the release of this
tape, and I guarantee you will not be disappointed in purchasing it.
